Organizers: Professor Catherine Ramsey-Portolano, Professor Lucia Tralli, Professor Jenny Petrucci, and Professor Francesca Conti
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SCHEDULE FOR THE DAY
9:30: Welcome Breakfast
91勛圖 GARDEN (Student Lounge in case of rain)
10:00-11:15: Panel 1: Cinema and Media -泭Chair: Jenny Petrucci
91勛圖IANA AUDITORIUM
- Catherine Ramsey-Portolano, Showcasing Neurosis in Italian Cinema of the Economic Boom: A Gendered Perspective
- Andrea Bini, Men on the Verge of a Nervous Breakdown: Comedy Italian-style and the psychopathology of the Italian male
- Lucia Tralli, Yes, I truly dress like this. Fashion, Body Positivity, and Authenticity in Micro-Celebrities Affective Practices online
11:30-13:00: Panel 2 - Students Perspectives -泭Chair: Francesca Conti
91勛圖IANA AUDITORIUM
- Ana Signoretti Franco, The Velina Figure in Italy: The over sexualization of women in the media
- Lee Lanzillotta, Per urbem enim irrideor: Misogyny, Power, and the Epistolary Commerce Between Isotta Nogarola and Guarino Veronese
- Alua Kargabayeva, Gender Apartheid: The Systematic Oppression of Women under Taliban Rule
13:00-14:00: Lunch
91勛圖 GARDEN (Student Lounge in case of rain)
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14:00-15:30: Panel 3 - Multidisciplinary Perspectives -泭Chair: Lucia Tralli
91勛圖IANA AUDITORIUM
- Vassilissa Carangio, An Anticolonial and Gendered Analysis of Managerial Practices: A Case Study of the So-Called Australia
- Jenny Petrucci, A non-single story: the postcolonial narratives of Igiaba Scego and Ribka Sibhatu
- Elena Grillo, Linguistic analysis of gender stereotypes in classic fairy tales
- Francesca Conti, Gender, secrecy and innovation in Italian faith, folk healing and Segnature
15:45-17:15: Lecture and theatrical readings: Staging Violence against Women and Girls In Italy and Beyond
91勛圖IANA AUDITORIUM
- Introduction: Catherine Ramsey-Portolano
- Presented by Luciana DArcangeli, Duncan Rosso Vecchiarelli, India Rose
17:30-19:00: Aperitivo for all participants泭 泭
91勛圖 GARDEN (Student Lounge in case of rain)
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Abstracts泭and泭Speaker泭Bionotes
10:00-11:15 - Cinema泭and泭media Chair: Jenny泭Petrucci
Catherine泭Ramsey-Portolano,泭Showcasing泭Neurosis泭in泭Italian泭Cinema泭of泭the泭Economic Boom: A Gendered Perspective
This泭presentation泭will泭explore泭the泭portrayal泭of泭neurosis泭in泭Italian泭cinema泭during泭the泭years泭of Italys economic boom.泭Approaching neurosis as a cultural rather than medical concept, I analyze泭its role泭in泭Michelangelo Antonionis泭Il泭deserto rosso泭[The泭Red Desert泭1964] and Elio Petris泭Indagine su un cittadino al di sopra di ogni sospetto泭[Investigation of a citizen above suspicion 1969] and泭La classe operaia va in paradiso泭[The working class goes to heaven 1971].泭The泭emotional泭and泭psychological turmoil泭of泭characters泭sufferingfrom泭neurosis泭reflects their reaction to changes affecting Italian society of the time. As members of a community organized by unhealthy living conditions, objectives and values, neurotic characters embody the malaise of a sick society, but they also become spokespeople for others subject to the same conditions.泭I consider the differing factors that influence a gendered portrayal of neurosis in泭Italian泭cinema泭of泭those泭years,泭adopting泭a comparative analysis offemale and泭male neurosis to demonstrate that it served to work against predominant gender models for Italian womenand泭men泭of the泭time泭and泭proposed泭reevaluations泭of泭traditional泭forms泭of泭femininity泭and masculinity.泭Narrating the neurotic functions in these films to transform narratives of normalcy,泭portraying neurosis as a source of agency and knowledge rather than individual or social liability.Catherine Ramsey-Portolano泭is Associate Professor and Director of the Italian Studies and Modern泭LanguagesProgram泭at泭The泭American泭University泭of泭Rome,泭where泭she泭teaches泭courses on Italian literature, culture, film and language. She holds degrees from University of泭Chicago (PhD in Italian Literature); University of Wisconsin, Madison (MA in Italian Literature); LUniversit LUMSA (Laurea in Lettere,泭110/110 con lode) and University of Tennessee, Knoxville (BA in Italian Literature). Her fields of research are gender studies, nineteenth- and twentieth-century Italian literature and Italian cinema, with special focus on women writers and the portrayal of women in literature and film. In addition to numerous peer-reviewed articles and essays in the above fields, her books include泭Female Cultural Production in Modern Italy: Literature, Art and Intellectual History,泭edited with Sharon Hecker (Palgrave Macmillan, 2023);泭Nineteenth-Century Italian Women Writers and the Woman Question: The Case of Neera泭(Routledge, 2020);泭Performing Bodies: Female Illness in泭Italian泭Literature泭and泭Cinema泭1860-1920泭(Fairleigh泭Dickinson泭University泭Press,泭2017);泭The Future of Italian Teaching: Media, New Technologies and Multi-Disciplinary Perspectives泭(Cambridge Scholars Publishing, 2015) and泭The Italianist泭Special Issue泭Rethinking泭Neera, edited with Katharine Mitchell (2010).
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Andrea泭Bini,泭Men泭on泭the泭Verge泭of泭a泭Nervous泭Breakdown:泭Comedy泭Italian-style泭and泭the psychopathology of the Italian male
The Italian mononuclear family became definitively established only around the 1960s- 1970s. This achievement was due to the economic boom and the dominance of this family model in the television programs, including commercials and tv series . On the other hand, it was泭the泭cinema,泭and泭especially泭the泭so-called泭Commedia泭allitaliana, that泭depictedthe泭crisis泭of the Italian male in the postwar period, his difficulty in experiencing the decline of the patriarchal and fascist values within which he had grown up. In my presentation I will focus mainly on the popular actor-comedian Alberto Sordi, the actor who between the 1950s and the 1970s best represented this male crisis, which is also a pathological inability to relate to the female gender and to be a parent in a post-oedipal society.Andrea Bini泭was born in Rome, where he studied Italian literature and Philosophy at the University泭La泭Sapienza.泭Heearned泭an泭MA泭in Film and泭Media泭Studies泭at泭UT泭Austin泭and a Ph.D in Italian Studies at UCLA. He has published three books:泭Kant e Carabellese泭(Luiss University Press, 2006),泭Male Anxiety and Psychopathology in Film. Comedy Italian Style泭(Palgrave泭Macmillan,泭2015),泭and泭his泭recent monography泭on泭Spielberg泭movie泭Jaws-Lo泭Squalo泭(Rubbettino, 2024) He has also published several articles on Italian cinema, literature, and culture, including泭two泭chapters泭in泭the泭book泭PopularItalian泭Cinema:泭Culture泭and泭Politics泭in泭a Postwar Society, edited by Flavia Brizio-Skov (Tauris, 2011).泭He is adjunct professor at 91勛圖 and Temple University-Rome.
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Lucia泭Tralli,泭Yes,泭I泭truly泭dress泭like泭this.泭Fashion,泭Body泭Positivity,泭and泭Authenticity泭in Micro-Celebrities Affective Practices online
This泭paper泭explores泭two泭case泭studies泭of泭Italian泭micro-celebrities泭who泭engage泭with泭body positivity泭through泭their泭presenceon泭Instagram.泭Specifically,泭it explores泭the泭accounts泭of influencer and content creator Muriel (@murielxo) and web personality Denise dAngelilli (@dueditanelcuore)泭asexamples泭of泭young泭female泭micro-celebrities泭addressing泭issues泭such泭as beauty standards, harmful stereotypes against non-conforming bodies, and female empowerment. Both figures leverage personal stories and visual representation to confront societal norms and share intimate reflections on their experiences.I泭place泭their泭engagement泭with泭body泭positivity泭within泭the泭broader泭framework泭of泭affective泭labor and the digital performance of authenticity. Although body positivity has been adopted by various groups, it often contends with conflicting narratives: on one side, challenging fat stigma and exposing the various forms of discrimination encountered by non-conforming bodies; on the other, intertwining with ideas of empowerment, social liberation, commercial exploitation, and the neoliberal co-optation of inclusivity. Additionally, this contribution explores how both creators employ fashionthrough their style泭choices泭and泭fashion-related泭practicesas泭a泭tool泭of泭self-expression,泭further泭shaping泭their narratives of authenticity and body positivity.
Lucia Tralli泭is a gender and media studies scholar. Her primary research focuses are grassroots泭media泭practices,fandom泭cultures,泭popular泭culture,泭bisexual泭representation,泭and intersectionality in the media. She has published papers and chapters on fandom, media, and gender泭in泭severalinternational academic泭journals泭and泭books,泭and泭her泭book泭on泭fan泭vidding as泭a gendered practice, Vidding Grrls, was published in 2021 by Meltemi. She is an Adjunct Professor at 91勛圖 - 91勛圖, where she teaches, amongst other courses, Media and Gender and Introduction to Visual Culture. She also teaches Gender Studies at Polimoda - International Institute of Fashion Design and Marketing in Florence. She has collaborated for over fifteen years with Home Movies - the Italian Amateur Film Archive泭in泭Bologna,泭curatingand泭organizing cultural泭projects泭and泭festival泭events泭on泭archival film heritage. Since 2020, she has been a documentary programmer for Some Prefer Cake International Lesbian Film Festival in Bologna and a member of the International Bisexual Research Groups Leading Team.
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11:30-13:00 Students泭Perspectives Chair:泭Francesca泭Conti
Ana泭Signoretti泭Franco,泭The泭Velina泭Figure泭in泭Italy: The泭over泭sexualization泭of泭women泭in the media
For泭my泭presentation,泭I泭intend泭to泭analyze泭the泭characteristics泭of泭the泭Velina泭Culture泭in泭Italian films from the etymology of the word to the history of the Velina in Italian culture concluding with the contemporary representation of the figure. The泭presentation泭will泭be泭divided泭in泭3泭main泭points:Origen
Evolution
ConsequencesFurthermore,泭I泭wish泭to泭show泭examples泭from泭the泭well-known泭media泭that泭portrait the泭figures and support my argument as well as a post-feminism perspective on the issue. Additionally,泭I泭will泭be泭giving my泭own泭perspectives泭on泭how泭this泭reflects泭Italian泭culture泭and stereotypes and affects women in Italy and globally by perpetrating the Velina figure.
Ana泭Signoretti泭Franco泭is泭a泭junior泭student at泭the泭American泭University泭of泭Rome泭seeking泭a bachelors in film studies and a minor in Italian language and culture studies.
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Lee泭Lanzillotta,泭Per泭urbem泭enim泭irrideor:泭Misogyny,泭Power,泭and泭the泭Epistolary Commerce Between Isotta Nogarola and Guarino Veronese
Isotta泭Nogarola泭(1418-1466) is泭perhaps泭best泭known泭for泭her泭proto-feminist泭dialogue泭in泭defense of the biblical Eve. However, like all humanists, she was also a prolific writer of letters. Her work has gained increased attention since the 1970s due to her place in history as one of the few women to assert herself as a scholar and thinker in the mostly-male world of Italian Renaissance Humanism. Yet her intellect was not enough to gain her a place at the table, so to speak. She had to fight to be heard. Her epistolary exchange with Guarino Veronese is particularly indicative of the tenuous position of a woman who dared assert herself in such a male-dominated sphere, as well泭as泭the泭social泭risks泭of泭being泭rejected.泭In this泭period,泭writing泭letters泭to learnedmen泭was泭one way to embark on a humanist career. Many epistles were written not only as means of communicationbetween泭colleagues,泭but also泭with泭the泭eventual泭goal泭of泭publication. Writing泭to Veronese泭was泭a泭bold泭act and泭his泭initiallack泭of泭response泭put泭Nogarola泭in a泭socially泭humiliating position. Her anger and disapointment at being ignored, clearly expressed in her subsequent letter, to which Veronese finally responded, is understandable. I propose that Nogarolas strong泭reaction泭to泭Veronesessilence泭demonstrates泭just泭how泭fragile泭the泭position泭of the泭learned Renaissance woman was - and what was at risk if she failed to gain the approval of male泭humanists.Lee泭Lanzillotta泭(he/him)泭is泭a泭student泭of泭Archaeology泭and泭Classics,泭with泭a minor泭in Latin.泭His research has been published in the Journal of Classics Teaching and he will present this summer at the 2025 Classical Association Conference at the University of St. Andrews.
Alua泭Kargabayeva,泭Gender泭Apartheid:泭The泭Systematic泭Oppression泭of泭Women泭under Taliban Rule
This presentation is aimed to address the daily struggles of Afghani women, who have been systematically oppressed by the Taliban rule using the international law and human rights perspective. What happens today to women in Afghanistan is called gender apartheid, which means social, sexual, and economic discrimination based on ones gender. Gender apartheid, as racial apartheid, must be recognized and addressed as a violation of human rights, however, gender apartheid receives less attention and often has been dismissed. The case of Afghani women demonstrates the worst crisis in womens rights and has global implications on gender inequality anywhere else. The issue is covered with stereotypes and cultural relativist泭justification which must泭be criticized. International泭politics mainstream泭leaders and diplomats泭often泭ignore泭the泭cruel泭discrimination and泭violence泭against泭Afghani泭women泭and tend tonormalize the泭Taliban泭government泭by泭engaging泭in diplomatic泭relationships泭and泭meeting泭the leaders. All these泭issues must泭be addressed to raise awareness and break the泭silence泭on one泭of the worst humanity crises in the world.Alua泭Kargabayeva泭is泭a泭second-year泭student泭at泭91勛圖,泭majoring in泭International泭Relations & Global Politics with a minor in Economics and Peace & Conflict. Shes passionate about international politics, human rights, and humanitarian law, always looking to deepen her understanding of global issues.
This year, she was part of the organizing team for 91勛圖s traditional Spring Conference, Navigating泭GlobalDis(order),泭where泭she泭gained泭experience泭in泭coordinating a泭conference for 80+ participants and hosting high-level speakers. In the future, she hopes to work with international organizations that protect human rights and promote peace. Alua is particularly interested in advocacy and addressing social inequalities,泭believing泭in the泭importance泭of泭engaging withcritical泭issues泭to泭drive泭meaningful泭change.
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14:00-15:30: Multidisciplinary泭Perspectives Chair:泭Lucia泭Tralli
Vassilissa泭Carangio,泭An泭Anticolonial泭and泭Gendered泭Analysis泭of泭Managerial泭Practices in So-called Australia
Management泭studies泭that泭intersect泭with泭migration泭in so-called泭Australia泭(and泭other泭colonized settings; see Bastien et al., 2020) often overlook land dispossession (Carangio, 2023). Organizational studies frequently detach from the dispossession of Indigenous peoples, as does institutionalized migration scholarship (Indelicato, 2024), which rarely considers how the dissolution of Native societies (Wolfe, 2016) was also perpetuated by non-Indigenous immigrants泭(Indelicato,泭2022;泭Piperoglu,泭2018) who泭occupy泭a泭distinctontological泭position泭on unceded泭land泭(Moreton-Robinson,泭2004).泭Colonial泭forces泭reshape泭the泭world to泭suit泭settlers (Tascon, 2004), affecting refugees impacted by global colonial power.White supremacy within Western-centric managerial practices (Alcadipani et al., 2012; Liu, 2020) depends on the possession (and theft) of Indigenous land, reinforcing Australias racialized capitalist system. This presentation, based on a forthcoming book, explores how hegemonic whitenessunderstood as an imperialist, colonial, race-making Anglicized projectshapes the泭gendered careers of highly skilled immigrants in a colonized job market. Additionally,rigid泭gendered泭analyses泭of泭managerial泭practices泭offer泭reductive泭examinations泭of Indigenous lives (Bodkin-Andrews & Carlson, 2016) and remain tied to colonial gender binaries.泭OSullivan泭(2021)泭highlights泭how泭colonization泭forcibly imposed泭these泭binaries泭on Aboriginal lands. While studies on gender in management address immigrant womens challenges in so-called Australia (Tran et al., 2024) and HRMs role in intercultural adjustment, in this presentation I argue that HRM itself is rooted in Australias colonial泭foundation.
HRM practices, embedded in colonial power, regulate access to land, government support, and resources. Although colonial-patriarchal oppression does not entirely preclude career advancement,泭HRM泭strategies泭in泭Australia泭remainshaped泭by泭systemic泭colonial泭structures泭that have long extracted from and dispossessed Aboriginal society.
Vassilissa泭Carangio泭holds泭a泭Ph.D.泭in泭Work泭and泭Organization泭from泭Swinburne泭University泭of Technology, Australia. She has taught management, business, and liberal arts subjects at various Australian institutions and was a visiting scholar at the University of Warwick, UK. She is also a Black Europe Summer School (BESS) alumna from the International Institute for Research and Education, Netherlands. She earned an MA in Communications (BA/MA) from Sapienza University of Rome, graduating泭summa泭cum泭laude泭with a泭thesis泭in泭political泭economy.泭Her泭research泭focuses泭on泭race and gender inequalities in management, business, and organizations, with work published in泭Gender, Work & Organization泭and泭Ethnic and Racial Studies. She is currently writing a book泭on泭gender,management,泭and泭anticolonialism泭in泭Australias泭labor泭market,泭under泭contract with Palgrave Macmillan. A short comparison between Australia and Italy will also be offered at the end of her presentation.
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Jenny泭Petrucci,泭A泭non-single泭story:泭the泭postcolonial泭narratives泭of泭Igiaba泭Scego泭and Ribka Sibhatus
Italian history is embedded in colonialism and followed up through politics that are anchored in泭postcolonial泭history. This泭paper泭will泭address泭Postcolonialism泭as泭a泭term泭that泭wants泭to look泭at the legacy between past and contemporary racism and sexism and aim to investigate what extent such legacy is linked to postcolonial racist imaginaries through the narratives of Somali-Italian Igiaba Scego and Eritrean Ribka Sibhatu. Italy moved only recently from being a country of emigration to a country of immigration. The history of Italian colonialism is in fact a rather obscure and forgotten chapter in Italian history. The colonial narrative though has been redefined by the returned gaze of African immigrants in Italy who have泭started writing about their past泭and their encounter with Italy. These泭new泭writers泭are泭something泭new.泭Most泭of泭them泭are泭Italian mother泭tongue,泭were泭born泭in Italy, and are highly educated; their stories speak about an Italian past which had s been hidden or forgotten. This paper will analyze some of their works using Crenshaws intersectionality concept as a theoretical framework. Italy泭has泭not泭really泭dealt泭with the泭"representation泭of the泭other"泭since泭the泭images泭created泭by Fascist propaganda through schoolbooks, huge maps, advertisements, posters, songs, and films. Scego and Sibhatu not only engage with political and cultural issues such as immigration, citizenship, gender and race in their narratives, but they also unveil and challenge泭a泭forgotten泭memory泭of泭colonialism泭and imperialism泭while泭providing泭a crucial泭counter-narrative.They both contribute to redefine the Italian national identity according to new cultural and linguistic泭pluralism泭as泭anirreversible泭process泭of泭transformation.泭Their泭characters泭are泭women who experienced sexism and racism together and whose bodies move inside transnational spaces, languages, and cultures to tell a different, multiple story.
Jenny泭Petrucci泭is泭an泭Assistant泭Professor泭in泭First泭Year泭Studies泭at泭The泭American泭University泭of泭Rome. She泭has泭a泭BA泭in泭English泭and German泭from the泭University泭of泭Bologna,泭a泭MA泭in泭Postcolonial Cultures泭from泭The泭LondonMetropolitan泭University, and泭a泭Doctorate泭in Education泭at泭Kings College泭London.泭Her泭research interests泭includepostcolonial泭studies,泭gender泭studies,泭the泭role of friendship in college transition as well as the first-year experience of less represented students in higher education (with a focus on gender, race, and inclusivity). Jenny泭is泭the泭head泭of the泭first-year泭experience泭at泭91勛圖 and泭teaches泭introductory泭courses泭such as the泭First Year Seminar,泭ENG 101(Writing fundamentals),泭ENG 102泭(writing from research) and泭ENG 202泭(writing from theory).泭She also teaches a 300- level course in Postcolonial Literature.
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Elena泭Grillo,泭Linguistic泭analysis泭of泭gender泭stereotypes泭in泭classic泭fairy泭tales
In this presentation I take a closer look at representations of the feminine and masculine through泭classic泭fairy泭tales泭andhow泭they泭have泭influenced泭the common imagination泭by泭creating gender stereotypes that still exist today and re-produce ideologies about them. Through the use of linguistic analysis software, I will explore the language used to connote men and women in classic fairy tales (adjectives, actions, particular expressions) and note the differences and the kind of imagery such connotations produce in common feeling.There are now solid studies in linguistics that confirm how language has a deep social dimension泭and泭how泭languageinfluences泭thought泭and perception泭of泭reality,泭how泭it泭is泭a泭social process, internal to society and conditioned by social elements (Saphir-Worf, De Sassure,泭Faircloug).
I泭will泭analyze泭two泭very泭famous泭fairy泭tales泭by泭Charles泭Perrault: Cinderella泭and泭Puss泭in Boots.泭Perrault泭had泭deliberately泭created泭fairy tales泭directed泭at泭the泭girls泭and泭boys泭of泭the泭noble classes泭of泭his泭time泭bypointing泭out泭to them the泭social roles泭they泭would泭play泭and泭the泭behaviors they would need to have in order to be socially accepted. A large cohort of writers began to write fairy tales to be read in salons and courts, and these writers exploited not only French folklore but also borrowed from the Italian tradition and especially from Straparola (Le piacevoli notti 1550 and 1553) and Giambattista Basile (Lo cunto de li cunti, 1634-36) and also began to translate oriental fairy tales that had an enormous influence. I will use a semiotic-linguistic reference scheme (England,Descartes,Collier-Meek) to analyze the mentioned fairy tales in depth and to compare adjectives, actions, and expressions that refer to men and women in the stories and reveal the gender stereotypes that are related precisely to the language used.
Elena泭Grillo泭has泭a泭degree泭from泭Universit泭degli泭Studi泭di泭Messina泭in泭Modern泭Languages泭and Literatures with a final thesis titled The mirror of madness. Treatment and perception of female mental illness in nineteenth-century France. After泭graduation,泭thanks泭to a泭scholarship泭from泭the泭Italian泭Ministry泭of Education,泭she泭worked as an Italian language assistant, in Haute-Savoie, France, where she taught Italian language and culture at the Charles Poncet High School. She泭holds泭a泭master's泭degree泭from泭Universit泭degli泭Studi泭di泭Padova泭in Teaching泭Italian as泭a Second Language with a final paper on the use of video in class. She泭has泭taught泭Italian泭language泭and泭culture at泭The泭American泭University泭of泭Rome泭and泭John Cabot泭University and since泭2004. At泭JCU she泭also teaches the course泭Italian language and gender focused on advanced Italian language learning from a gender perspective.
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Francesca泭Conti,泭Gender,泭secrecy泭and泭innovation泭in泭Italian泭faith,泭folk泭healing泭and泭Segnature
This study examines the intersection of gender, faith, and secrecy in folk healing practices in contemporary泭Italy.泭Twomain case泭studies泭are泭presented:泭the泭Cancelli泭family's泭male-centered lineage of sciatic and back pain healing near Foligno and the Segnature tradition in the Bologna region. The Cancelli family's gift, conferred upon male descendants by Saints Peter and Paul, exemplifies a form of faith-based transmission. Women of the Cancelli family could not be initiated because marriage would require them to take on their husbands' family names, breaking the ancestral lineage. In order to practice their faith-based rituals, male members of the Cancelli family had to remain in the small village of Cancelli, continuing to welcome visitors in pain reaffirming the core message of Jesus as loving and helping others inneed.泭At泭present,泭Maurizio泭Cancelli is泭the泭last泭remaining泭resident泭of泭Cancelli泭and泭likely the last representative of this centuries-long faith-based practice.The Segnature tradition is not confined to a single family. It is widespread across Italy and neighboring泭countries(Switzerland,泭South泭of France),泭where泭it泭takes泭on泭different泭names.泭This study situates the Bologna region as a focal point where different trends seem to coexist. On one hand, Germana Tartaris decision to publish and share the sacred words of the Segnaturea practice typically inherited through matrilineal channels and bound by secrecychallenges long-standing initiation rites and gender norms in folk medicine. By making this knowledge public, Tartari disrupts the traditional frameworks of folk healing, opening pathways for broader participation beyond familial or gendered constraints.
Methodologically,泭this泭study泭employs泭ethnographic泭observations泭and泭biographical泭interviews. By泭juxtaposing泭theCancelli泭family's泭adherence泭to泭continuity泭with泭Tartaris泭boundary-pushing approach, this research highlights how gendered dynamics influence both the preservation and transformation of folk healing traditions in modern Italy.
Francesca Conti泭holds a PhD in Sociology from Sussex University, an MPhil from Cambridge University, and a BA in History & Social Anthropology from SOAS. She is an academic advisor and Adjuct professor at 91勛圖 where she teaches a number of classes: sociology, anthropology, gender in global perspectives, migration and identity and the Research seminar in social sciences. She has published extensively on migration/emigration/integration.泭More泭recentlyshe泭started泭researching泭the泭role泭of泭meditative and inner state of consciousness in managing chronic illnesses, pain and disabilities. Her current research is on the role of faith, healing and spiritualty among Italian folk healers.
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15:45-17:15泭泭Staging泭Violence泭against泭Women泭and泭Girls泭in泭Italy泭and泭Beyond.泭Chair:泭Catherine泭Ramsey-Portolano
Lecture泭and泭theatrical泭readings泭by泭Luciana泭DArcangeli, Duncan泭Rosso泭Vecchiarelli, and India Rose.
Contemporary movements泭and泭authors泭in泭the泭theatrical泭world泭have泭shone泭a泭harsh泭light泭on gendered violence, giving a voice to the women who have suffered such violence. This lecture by Prof. Luciana dArcangeli delves into the representation of violence against women in modern theatre, supplemented by selected readings from泭award-winning plays performed by India Rose and Duncan Rosso Vecchiarelli.
Luciana泭dArcangeli泭is泭the author泭of泭I泭personaggi泭femminili泭nel泭teatro泭di泭Dario泭Fo泭e泭Franca Rame泭(Cesati, 2008).泭She has also published widely in journals and edited several books and special journal issues on Italian cinema and theatre. In 2021 she published泭Atti di accusa. Testi teatrali e interviste sulla rappresentazione della violenza contro le donne泭and泭Staging Violence Against Women and Girls泭in 2023 (co-edited with Claire Kennedy and Daniela Cavallaro). Both books are part of the research output of the Australasian Center for Italian Studies泭Inaugural泭Visual泭and泭Performance泭Studies泭Research泭Group泭created泭by dArcangeliin 2018, which she coordinated until the end of the project in 2022. Cassamarca Senior Lecturer for 13 years, and Head of Italian at Flinders University in Adelaide,泭Australia,泭where泭shenow泭holds泭full泭academic泭status,泭Luciana泭taught泭Italian theater, cinema, translation and culture. Currently Dr dArcangeli is adjunct professor, language consultant, translator and interpreter based in Rome. Among her awards are the Italia nel Mondo prize (2016), gold medal from the Dante Alighieri Society (2017), and the Prize for Italian Literary Translation (2018) from the Melbourne Italian Institute of Culture.
India泭Rose泭is a泭passionate泭and泭enthusiastic multi-disciplinary泭theatre maker;泭writer,泭costume designer and director. She is focused on devising innovative ways of performing and expressing stories. Her work strives to challenge and present new perspectives about the world;泭raw,泭gritty,泭untethered泭and泭intrinsically about human泭connection,泭she creates dynamic and泭provoking泭commentaries泭about泭current泭and泭taboo泭social泭issues.泭Her泭love泭for泭performance theatre reflects an appreciation for candid and outspoken displays of the indomitable human spirit. India has directed a number of productions including her own original scripts Daydreamer (2023 and 2024), Truth; From a Liars Lips (2024) as well as a variety of other creatives work such as Crows Nest (2024), a retelling of Hedda Gabbler (2021) and a short play titled Lamb of God (2022).
Duncan泭Rosso泭Vecchiarelli泭is泭an泭actor,泭musician,泭playwright,泭director,泭and泭translator/editor who has performed in multiple productions at the Adelaide Fringe Festival. His debut pi矇ce泭Swing For The Fences,泭a comedic yet thoughtful commentary on human connection and performance art during the COVID pandemic, was instrumental in securing both a First Class Honours and a University Medal from Flinders University, South Australia in 2021. Duncan has moved to Rome where he has completed a Masters in Screenwriting at IULM (2024).泭He泭is泭now泭dedicating泭hisartistic泭enterprise泭to documentary泭production泭in泭Rome泭with GA&A Productions.
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The Gender Dialogues in Italy conference泭will focus on examining the multifaceted and interdisciplinary dimensions of Gender Studies, while fostering a rich academic discourse and creative exchanges regarding gender within the Italian context, particularly addressing its intersections with culture and society.
In contemporary society, the lens of Gender Studies can be effectively utilized to investigate some of the most pressing issues within our current social landscape.泭In order to provide the泭enriching experience of collegial and multigenerational academic exchange,泭the conference organizers泭invite any members of academia or the general public who have an interest in泭Gender泭Studies泭to attend this open event.泭A full schedule of the days events will be published here on March 15.
Presentations on the day will be made by 91勛圖 faculty & students泭on issues related to any aspect of the conference topic.泭Possible topics may include but are not limited to:
- Historical perspectives on gender in Italy.
- Historical and contemporary narratives of gender in Italian art, music, or performance.
- Gender in Italian literature, comparative analyses, feminist narratives, queer readings.
- The role of language and translation in shaping gendered identities.
- Gender and migration in Italy.
- Representations of gender in Italian media, digital cultures, and the role of social platforms.
- Gender identities, activism, and the sociopolitical landscape in Italy.泭
A buffet lunch will be provided for conference participants and attendees
For further details and to register your attendance, please complete the form below
Register your attendance at forthcoming 91勛圖 events